
Los músicos
La Regalada is a grouping of trumpets, timpani and organ, which was born with the intention of interpreting and recreating, from a historically informed perspective, the music and sonorities typical of this type of formations, thus remedying a void within the panorama of the ancient music of our country. The reclaiming repertoire covers a period that ranges from approximately the last third of the sixteenth century to the end of the eighteenth century, and goes through different genres: from music belonging to the bodies of trumpets and aabales, through trumpet and organ music, to opera and instrumental music.
We will introduce you to our components and collaborators.
ONOFRE SERER OLIVARES

Timbales Barrocos
He has completed classical and orchestral percussion courses with Manel Ramada, José Luis González, Raúl Benavent, Rafa Mas, Julien Bourgeois, Philippe Spiesser, Rafa Mayans, Vicent Vinaixa, Grati Murcia, Javier Azanza and Nick Woud.
He holds the Master's Degree in Musicology, Music Education and interpretation of Ancient Music at the Escola Superior de Música de Catalunya (ESMUC) under the tutelage of Pedro Estevan. He has attended courses and frame drum classes with Glen Velez, Yshai Afterman, Zohar Fresco, Diego Lopez, and baroque timbales with Ben Hoffnung and Maarten van der Valk. He has studied traditional and oriental percussion with Pere Olivé.
He collaborates assiduously with Capella de Ministrers, La Grande Chapelle, Le Tendre Amour, Music Trobada, Lucentum XVI, Amystis, Montsalvat Orchestra, Menestrils del Duch, Harmonia del Parnos, performing concerts at the Palau de la Música de Valencia, Palau de la Música Catalana, L'Auditori de Barcelona, Arsenal de Metz, Volkstheater and Konzerthaus in Vienna and Berlinerhar Phile in Berlin.
RICARDO CASAÑ DOLZ

Trompeta natural
He has been a trumpet professor by opposition since 1988, carrying out his teaching work at the Conservatorio Superior de Valencia, Alicante and Castellón, where he imparts the specialties of trumpet and natural trumpet.
In 1995 he began working on Baroque acting with historical instruments under the direction of Edward Tarr (Schola Cantorum Basiliensis). As a soloist he has participated as a duet with the organist Ignacio Ribas in numerous cycles of concerts and festivals in Spain, Andorra and France, recording part of his work in the dicos "Barroc Europeu in the Ergans dels Pirineus".
He regularly collaborates with most classical and European Baroque orchestras (Seville Baroque Orchestra, Els Talents Lyriques, Gabrielli Consort, Elbípolis Barockorchester, Estil Concertant, Ensemble Meridien, Académia 1750, The Spanish Concert, Stagione Harmnica, Capella Real, Catalan Baroque Orchestra, Els musiciens de Louvre, Capella de Ministrers, Hippocampus, NDR Choir, Al Ayre Español, Turia Camerata, …).
Since 2006 he has worked the Baroque repertoire for trumpet and soprano with the singer Estrella Estévez and the harpsociousist Ignasi Jord, and has started a new chamber project with the group of natural trumpets Tibicines.
He has completed classical and orchestral percussion courses with Manel Ramada, José Luis González, Raúl Benavent, Rafa Mas, Julien Bourgeois, Philippe Spiesser, Rafa Mayans, Vicent Vinaixa, Grati Murcia, Javier Azanza and Nick Woud.
He holds the Master's Degree in Musicology, Music Education and interpretation of Ancient Music at the Escola Superior de Música de Catalunya (ESMUC) under the tutelage of Pedro Estevan. He has attended courses and frame drum classes with Glen Velez, Yshai Afterman, Zohar Fresco, Diego Lopez, and baroque timbales with Ben Hoffnung and Maarten van der Valk. He has studied traditional and oriental percussion with Pere Olivé.
He collaborates assiduously with Capella de Ministrers, La Grande Chapelle, Le Tendre Amour, Music Trobada, Lucentum XVI, Amystis, Montsalvat Orchestra, Menestrils del Duch, Harmonia del Parnos, performing concerts at the Palau de la Música de Valencia, Palau de la Música Catalana, L'Auditori de Barcelona, Arsenal de Metz, Volkstheater and Konzerthaus in Vienna and Berlinerhar Phile in Berlin.
CÉSAR NAVARRO ESCARABAJAL

Trompeta Natural
Later he specialized in the study of the natural trumpet by the Spanish professor Ricard Casañ, formalizing his studies at the Giovan Battista Martini Conservatory in Bologna (Italy) under the supervision of Professor Igino Conforzi. He also expanded his music and trumpet studies at the prestigious Schola Cantorum Basiliensis, with the trumpeters Jean-Fran'ois Madeuf (Schola Cantorum Basiliensis), Igino Conforzi and Dr. Edward Tarr, by the cornetist William Dongois (Haute école de musique de Geneve) and of specialist academics such as Dr. Adam K. Gilbert (University of Southern California), Dr. Peter Downey (Queen's University Belfast), Dr. Lorenz Welker (Ludwig-Maximilians-Universitat M'nchen) and Dr. Martin Kirnbauer (Schola Canto Basilrumiensis).
Since 2018 he has been part of the Orchestra Nazionale Barocca dei Conservatori italiani. He has also collaborated with the Royal Chapel of Uclés, the Baroque Orchestra of the ESMUC, the Chamber Orchestra of the University of Murcia, UCAM Symphony Orchestra, Koninklijk Conservatorium Orkest, the Symphony Orchestra of the Region of Murcia or the Symphony Band of Elche, and has worked with conductors such as Enrico Gatti, Edmón Colomer, Michel Tabachnik, Juan Rafael Vilaplana , Aaron Zapico, Javier Ulises Illán, among others.
He has participated in various Festivals such as the Trigonale 2019-Festival der alten musik St. Veit (Austria), the XII Festival "Gaudete" in Romagnano Sesia (Italy), the Festival de Música Antigua de Aranjuez (Madrid), the Festival de Vélez Blanco (Almería).
MANUEL ARNEDO PARDO

Trompeta Natural
During this time he has completed courses of improvement with some of the most prestigious national and international trumpeters such as Maurice André, Jens Lindemann, Michael Sachs, Javier Barberá, Barbara Buttler, Roberto Bodí or Charles Geyer, and within the framework of ancient music with Edward H. Tarr, Igino Conforzi or Maze René.
He has been a member of young orchestras such as the Orquestra Filarmanica of the University of Valencia, the Orchestra of Musical Youth of Castellón or the World University Orchestra and Choir. In addition, he has collaborated with professional orchestras such as the Valencia Orchestra, The Royal Chapel of Madrid, Capella de Ministrers, Orquesta Barroca de Sevilla, Música Trobada, Carpe Diem (St. Petersburg) or the Valencia Original Art Orchestra among others, as well as in various cameristic groups. He currently combines his facet as a performer with teaching.
GUILLERMO FERNANDO MARÍ

Trompeta Natural
He has taken trumpet courses with Pierre Thibaud, Bo Nilsson, Gábor Tarkavi and Manuel Blanco.
He is a career officer in the faculty of the Generalitat Valenciana.
ARTURO BARBA SEVILLANO

Organo
He has made live recordings for RNE-Radio Classic as well as several record records. He develops an intense concert activity that leads him to perform recitals at the Notre-Dame Cathedral in Paris, Moscow Catholic Cathedral, Cali Cathedral, Lausanne Cathedral, germany (Cologne Cathedral, Munich, Norden, Dusseldorf, etc.), Italy (Florence, Venice, Rome, Fermo, Cantú, etc.), Holland (Rotterdam, Amsterdam), France, Portugal and Colombia; assiduous guest of the most important Spanish festivals.
He has worked as a soloist with great conductors such as Z. Mehta, F. Biondi, M. Plasson, C. Halffter, J. Pons, L.Yu, Enrique García Asensio, Y. Traub, M. Galduf, J. Belohlavek, G. Pehlivanian, H. Nánási, Ch. Franklin, J. Gaffigan, and M. Gómez- Martinez, among others. Professor of the Conservatory by opposition since 2004, he has taught at the Conservatorio Superior de Música de Valencia and the Polytechnic University of Valencia for several years, and currently teaches at the Conservatorio de Torrente.
MOMOKO FURUKAWA

Trompeta Natural
He studied trumpet at Osaka University of Music (Japan) with Daniel Doyon.
He moved to Barcelona and graduated from l'ESMUC (l'Escola Superior de Música de Catalunya) with the specialty of classical trumpet performance with professors Rodney Mack and Angel Serrano.
He also receives advice from teachers such as Luis González, Hiro Noguchi, Matthew Simon (jazz) among others.
He expanded his training by conducting a Continuing Training Course in l'ESMUC on the historical trumpet (baroque) with Serge Tizac.
He currently follows historical trumpet studies with Ricard Casañ.
He has attended historical trumpet courses with professors Edward Tarr, Igino Conforzi, René Maze and Jonathan Pia.
He regularly collaborates with orchestras such as l'Orquestra Barroca Catalana, Ensemble BZM (FESTIVAL BACHcelona), Vespres d'Arnadi, Ensemble Méridien, l'Orquestra Unesco Barcelona, l'Orquestra de Cambra de l'Empord, l'Orquestra de Cambra Terrassa 48 among others.
CARLOS HERRUZ PAMIES

Trompeta Natural
As a natural trumpet teacher he has performed natural trumpet masterclasses at the Conservatorio Superior de Música del Liceo, Barcelona.
He has received classes from the renowned natural trumpeters: Igino Conforzi, Ricard Casañ, Jonathan Pia and Bruno Fernandes.
With the trumpet, postgraduate studies with Mireia Farrés (OBC Orchestra Soloist), Luís González (International Soloist), José Antonio Casado (LICEO Orchestra Soloist). Expanding studies in New York with renowned trumpeter Vincent Panzzarella (New York Philharmonic). Scholarship by the Spanish Ministry of Culture for the expansion of studies in New York with Professor Rayan Gardner (New York Music School). Postgraduate 6 months at the Instituto Superior de Arte de la Habana, Cuba, with Emilio Heredia (Soloist of the Havana Symphony Orchestra). Various courses with trumpeters Manolo López, Vicente Campos, Javier Simó, Angel Serrano, Miguel Angel Bosch, among others.
Referring to the natural trumpet, he has collaborated and collaborated as a natual trumpet interpreter with: Capilla Real de Madrid, Academia 1750, Bach Zum Mitsinger, Orquestra Barroca Catalana, Teatre Instrumental, Universo Zapico, Vespres d'Arnadí, Al Ayre Español, Orquestra Barroca de Sevilla.
JUAN BAUTISTA ABAD

Trompeta Natural
He then moved to Madrid, where he studied trombone with José Chenoll at the R.C.S.M. Madrid. At the age of 19, he won, by opposition, the solo bombardino square of the Bilbao Municipal Band. At the age of 21 he finished the Higher Degree of Trombone with the highest qualifications. This same year he obtained, by opposition, the Plaza de Catedrático de Música y Artes Performing, his first destination being the C.S.M. Murcia.
He has collaborated with the Municipal Symphony Band of Madrid, Orquesta Nacional de España, Orquesta de R.T.V.E., Orquesta Sinfónica de Madrid, Orquesta de Granada, Virtuosos de Moscow, and Grupo Español de Metales, Orquesta del Palau de Les Arts i Orquesta de Valencia
He has been Professor of Trombone Numerary of the Royal Conservatory of Music of Madrid and Solo Trombone of the Orchestra of the Community of Madrid, being directed by Jesús López Cobos, Rafael Fr.hbeck de Burgos and Lorin Maazel, among others.
Since 2004-2005 he is Professor numerary of Trombone and Head of the Wind-Metal Department at the Conservatorio Superior de Música de Castellón.
He has also been Associate Professor of Trombone at the Conservatori Superior de Música de Les Illes Balears.
JUAN CARLOS IGEA GIMENO

Trompeta Natural
He has studied with renowned professors such as Keith Brown, Branimir Slokar, Ricardo Casero, Gilles Milliere, Michel Becquet, Ben Van Dijk.
He has collaborated with the orchestras of Oviedo, Valladolid, Cadaqués, Municipal de Valencia, Barcelona City, Liceu de Barcelona, Sinfónica de Madrid, Comunidad de Madrid and Orquesta del Palau de Les Arts de Valencia.
He has been a professor at the conservatories of Orense, Ciudad Real, Elche, Almansa and currently in Castellón.